"Zasićenje" - Istraživanje digitalne manipulacije zvukom u audiovizuelnom delu

Abstract

„Zasićenje“ je zamišljeno kao audiovizuelno delo koje se bavi čovekom u okruženju u kome dominiraju elektronski mediji, njegovom svakodnevnom interakcijom sa računarskom tehnologijom i uticajima apsorbovanja velike količine prvenstveno vizuelnih informacija. U radu se ispituju želje za informacijom i posledice njihovog upijanja kroz odvajanje vizuelne i auditivne ravni. Upravo su odnosi slike i zvuka suština istraživačkog rada koji kandidat želi da sprovede. Teorijsko istraživanje se oslanja na postojeće teorije filmskog zvuka a ima za cilj da pronađe nove moduse za dijegetsko određenje zvuka i istakne doprinos zvuka kao izražajnog sredstva u filmu i drugim audiovizuelnim umetnostima. Istraživanje koje je bilo neophodno za praktičnu realizaciju dela bilo je usmereno na alternativne MIDI kontrolere i uopšte hardverske i softverske alate za manipulaciju digitalnim zvukom.

″Saturation" is conceived as an audio visual work which focuses on people found in environment dominated by electronic media, their daily interaction with computer technology and effects of absorbing vast quantity of information mainly in visual form. This work investigates the hunger for information and the consequences of information absorption by separating the visual and the aural planes. Relationships between image and sound are the very essence of the exploratory work the candidate has decided to undertake. The theoretical part of the exploration relies on the existing theories on cinematic sound and its main task is to find new modes for diegetic positioning of sound and to emphasize the contribution of sound as means of expression on film and in other audio visual arts. The exploration necessary for the practical realization of the work was primarily focused on alternative MIDI controllers as well as hardware and software tools developed for digital sound manipulation in general.