Случај - кôд празнине: уметничко дело генерисано случајем

Abstract

Tekstualni rad doktorskog projekta "Slučaj – kôd praznine. Umetničko delo generisano slučajem" je rezultat ličnih traganja i istraživanja u kontekstu praznine kao potencijala beskonačnog polja kreativnih mogućnosti i otkrivanja sopstvene, suštinske prirode. Rad razmatra prazninu i njene oponente preko simbola 0, 1 i ∞, kroz različite oblasti duhovnosti, nauke i umetnosti. Uočavanjem "pravilnosti" koja u svim oblastima analize povezuje date simbole kroz formulu 1 / 0 = ∞, izdvaju se sinhronicitet - slučaj kao osnovni indikator i kôd praznine. Rad ispituje umetničke prakse i metode koji slučaj kao kôd praznine koriste za generisanje dela. Analizira potencijale novih medija u kontekstu korišćenja ovog kôda. Na kraju, sve analize i zaključke objedinjuje u metodu čiji je cilj pokretanje kôda praznine u procesu generisanja umetničkog dela, koje će u susretu sa publikom, kod nje pokrenuti taj isti kôd i uvesti je u iskustvo praznine. Formirani metod je korišćen za generisanje praktičnog dela doktorskog projekta koji je analiziran u tekstu. Kroz praktičan rad i teorijska istraživanja se uočava potencijal novih medija da svojim tehničkim i softverskim mogućnostima budu inicijator praznine kao suštinskog činioca "prirode i psihe".

The text of the doctoral thesis "The chance - code of emptiness. A work of art generated by chance" is the result of personal search and exploration in the context of the void as a potential of the eternal field of creative possibilities and discovery of one's personal, essential nature. The work considers the void and its opponents through the symbols 0, 1 and ∞, through different areas of spirituality, science and art. By noticing a "regularity" which, in all areas of the analysis, connects given symbols through the formula 1 / 0 = ∞, synchronicity - chance is singled out as the basic indicator and code of the void. The thesis examines artistic practice and methods which use chance as the code of the void to generate art. It analyses the potentials of new media in the context of using this code. Finally, it conjoins all the analyses and conclusions into a method the aim of which is to set the code of the void into motion by creating a piece of art which, in an encounter with audience, will set the same code into motion and bring it into the experience of the emptiness. The established method was used to generate the practical part of the doctoral project which was analysed in the text. Through the practical work and theoretical considerations, the potential of the new media has been noticed to act as an initiator of the void as an essential factor of nature and psyche, with their technical and software possibilities.